Showing posts with label dc comics. Show all posts
Showing posts with label dc comics. Show all posts

Saturday, August 29, 2009

The Death of Superman

The Death of Superman

The Death of Superman / Dan Jurgens, Jerry Ordway, Louise Simonson, Roger Stern
New York : DC Comics, 1993
Pencils by Jon Bogdanove, Tom Grummett, Jackson Guice, Dan Jurgens
Collects Superman: The Man of Steel #17-19, Superman #73-75, The Adventures of Superman #496-497, Action Comics #683-684, and Justice League America #69.
167 p.

Earlier today I reviewed a graphic novel on the death of Batman. Now, in an effort to make the world even more depressing, I review another graphic novel about the death of a hero, this time Superman. It is called -- this may shock you -- The Death of Superman.

The story is simple: This crazy strong evil monster who's REALLY REALLY ANGRY arises from somewhere and beats up the Justice League, beats up America, and then beats up Superman until they both die. The end.

That's it. I'm totally serious. I mean come on! This was the Man of Steel. The Man of Tomorrow! Krypton's ichiban ass-kicking muchacho!! And the best death story they can give him is "a big monster punched him really hard"?!?

And Lex Luthor's like: "Punching him! Of course! Why didn't I think of that!?"

The collected story is 170 pages, but it's essentially one long fight scene. The JLA takes on the monster Doomsday first, but they fail. Superman is next. He kinda keeps the guy in a holding pattern, but he essentially fails. Supergirl shows up for a minute but she gets punched so hard she turns into goo. (I'm not sure what was up with that.) And then Superman fights again.

The monster's origin and motivation are apparently not important because they got left out of the story. All we know is he is very strong and very mean. A big mean evil strong thing with stalagmite acne.

Yes, Superman fights with everything he has to save Metropolis. Yes, he's a big damn hero. It's all very noble, and that's precisely why a story about punching to death really doesn't cut the freaking mustard, dudes. Sorry.

Batman: Whatever Happened to the Caped Crusader?

Batman: Whatever Happened to the Caped Crusader?

Batman: Whatever Happened to the Caped Crusader? / Neil Gaiman
New York : DC Comics, 2009
Pencils by Andy Kubert
Collects Secret Origins #36, Secret Origins Special #1, Batman Black and White #2, Batman #686, and Detective Comics #853
128 p.

He is Gotham City's pretector, its avenging spirit, its Dark Knight. For years he has waged a one-man war to keep its streets safe. But tonight that war has claimed its last and greatest casualty...

Batman himself.

Obviously, I bought this for the name on the cover. I mean Batman is pretty badass, but I'd never read any of his stories, so why would I care about his death? Unsurprisingly, Neil Gaiman makes you care. All that's required going into this short graphic novel is a basic knowledge of Batman characters, which you can get practically anywhere: the animated series, Wikipedia, those good movies, those horrible movies...

The story opens and Batman is dead. :-( Sad face. Everyone -- primarily villains, but not exclusively -- is showing up at a sort of wake. Starting with Selina Kyle, they take it in turns eulogizing the Bat and telling the story of how he died. But all of their stories are different. Completely different, not just variations in perspective. Batman's spirit is watching over this and is pretty confused.

It turns into a moving look at death, deeds, and heroism told with the grace, honesty, and sly wit for which Gaiman is known.

The art is beautiful here as well. It's less cartoony and rushed than the usual comic book style.

After the main work and some sketches, the editors filled out the volume with some other stories Gaiman wrote in the Batman comics. Some are better than others. I liked the Poison Ivy story because I've always liked her. And there's an entertaining sort of pomo one where Batman and the Joker are aware they're actors in a comic book. But the real strength of the collection lies in the title story.

It's a quiet story. There is no action or dark evil here. But it's a must for Batman fans and a probably-will-regardless for fans of Gaiman.

Batman-Whatever-Happened-to-the-Caped-Crusader

Monday, August 24, 2009

Teen Titans Vol. 3: Beast Boys and Girls

Beast Boys and Girls

Teen Titans Vol. 3: Beast Boys and Girls / Ben Raab ; Geoff Johns
New York : DC Comics, 2005
Pencils by Justiniano
Collects Beast Boy #1-4 and Teen Titans #13-15
168 p.

The spotlight is squarely focused on Beast Boy in two complete sagas. First, in the days before the current incarnation of the Teen Titans, Beast Boy tries to reignite his stalled acting career only to find himself implicated in a murder. Then, Beast Boy is seemingly cured of his animal shape-changing powers only to see the children of San Francisco suddenly run riot, assuming green animal shapes with no experience and lots of panic

My latest assignment from my comic book friend, Beast Boys and Girls contains two stories featuring Beast Boy (obviously) from Teen Titans. In the first, Beast Boy is drawn really sexy (although green) and has returned to L.A. to start over and get his acting career back on track. Apparently there are a lot of roles for people with green skin? Anyway, he's framed for a series of murders a look-alike has been committing. So yeah, he figures that out.

In the second, a virus is released that strips Beast Boy of his powers and turns him person-colored again but also infects all the children in the city with his affliction, and they turn into green animals. Ensue: wackiness.

I think I like this Teen Titans edition because the stories are simpler. As opposed to the convoluted plot lines that have been developing for 50 years in some comic book titles, the stories here are bold, colorful, and easy to follow. They stand alone. In the second story, we also get glimpses of Wonder Girl and Robin and the struggles they were dealing with during that time in the run, but it fits together without being distracting.

Basically, these stories are simple and fun. For a latecomer like me, they were highly accessible and entertaining. More, please.

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